Selene

Compact realism, anywhere.

Coaxial point-source monitoring in a 6.5″ cube. ±1.5dB frequency response with ±15° phase coherence, 90° x 90° coverage. Designed for immersive audio applications, capable as compact stereo monitors. F6 at 80Hz (includes integral 80Hz HPF for surround integration), Max SPL 106dB @ 1kHz.

Point-source precision, compact form

True coaxial design maintains acoustic center regardless of listening position. 90° x 90° coverage delivers consistent accuracy whether you’re using Selene for immersive channels, stereo alts, or nearfield monitoring – professional imaging from a 6.5″ cube.

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Professional accuracy, accessible form factor

±1.5dB frequency response with ±15° phase coherence (30Hz-30kHz). The same measurement-driven calibration and DSP architecture as Terra, engineered for compact applications where space is premium but accuracy isn’t negotiable.

Flexibility without compromise

Designed for immersive audio applications, capable as compact stereo monitors. The same phase coherence and coverage pattern across every use case – ATMOS height channels, surround positions, or nearfield alts in smaller rooms.

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Built to expand

Selene is complete for immersive applications. When you need full-range stereo monitoring, Poseidon subwoofers integrate seamlessly via the included EXCore – extending response to 45Hz linear and transforming the system into a compact 3-way.

DSP

Proprietary, in house calibration code completely flattens frequency, phase and impulse response.

Performance Measurements

Frequency Response (30cm cal position)

Impulse Response

Phase Response

THD Ratio (94db at cal position)

Polar

TECHNICAL FOUNDATION

Selene applies the same engineering philosophy as Terra to a compact form factor. Aluminum extrusion cabinets, coaxial point-source drivers, individual calibration – the approach doesn’t change with size. What changes is the architecture: Selene uses external amplification and DSP (the EXCore module) rather than integrated rear-panel electronics, allowing for modular system configurations and future expansion.

This generation introduces living calibration – individual driver level corrections that improve over time as our measurement capabilities and algorithms advance. Your Selene gets better as we get better.

Cabinet Engineering

Selene uses the same aluminum extrusion approach as Terra, scaled for its compact form factor. Each cabinet is a 7mm flat-wall extrusion with 19mm corner ribbing and integral cross-bracing. Both the front and rear baffles are 12mm solid aluminum, compressed onto the main shell with series gaskets, creating a sandwich assembly that’s clamped together for maximum rigidity.

The entire assembly extrudes front to back, allowing us to compress everything together with substantial force. The result is a cabinet that’s acoustically inert despite its compact size – no resonances, no flexing, nothing that colors what you’re hearing.

Professional monitoring doesn’t require large cabinets. It requires cabinets engineered to disappear acoustically, regardless of physical dimensions.

Driver Technology & Passive Crossover

Selene uses a 16cm variant of our third-generation coaxial midrange/tweeter architecture. It shares the same motor structure as Terra’s 18cm coax, but the 16cm version is purpose-designed for Selene’s application – slightly longer throw, slightly smaller diaphragm, optimized to work as a standalone surround monitor. Custom TPCD diaphragms, FEA-optimized motor structure, automated fiber placement pushing tweeter breakup above 40kHz, with DSP limiting high-frequency extension to 30kHz for optimal performance. The thin-lip underhung surround and point-source acoustic center deliver the same phase coherence that defines Ex Machina’s monitoring philosophy.

The architectural challenge was powering multiple drivers from a modular external amplifier. Rather than give each driver element its own amplifier channel, we used a passive crossover inside each coaxial to split the midrange and tweeter at 3kHz – something we typically avoid.

So we over-engineered it. Custom 14AWG square-wire inductors with exact impedance matching at the 3kHz crossover point to eliminate the need for zobel networks. End-to-end DCR under 0.3 ohms. Identical filter bank values on both sides, counter-wound to achieve roughly 100dB of magnetic field cancellation. Four 3% tolerance Panasonic polypropylene caps per filter bank in parallel for exceptionally low ESL/ESR. Custom 3D-printed gyroid isolator mounts that prevent ringing and absorb shock.

This passive LR2 crossover is analog – analog necessarily introduces phase shift, so it cannot be zero-phase. But the 16cm driver is small enough that beaming doesn’t start until 4kHz on the midrange, and at LR2 we can phase invert the tweeter to achieve perfect phase tracking. The result is a passive crossover so consistent that the DSP can treat the coaxial effectively as a full-range driver. Unlike typical passive crossovers that tank your damping factor, the extremely low DCR maintains control and precision.

Each Selene coaxial is measured individually and linearized at the driver level before crossover application, just like Terra.

EXCore Architecture

Selene’s amplification and DSP live in the EXCore module – a compact 2RU half-rack enclosure that houses Hypex NcoreX amplification (NCx252MP and NCx-102EXT modules), Peregrine DSP architecture with ADSP-21569 SHARC+ processor and ESP32 co-processor, and AKM conversion (AK4493SEQ DAC, AK5572EN ADC).

The modular architecture allows for flexible system configurations. The EXCore included with Selene powers the coaxial monitors and has capacity for future expansion – specifically, adding Poseidon subwoofers without requiring additional amplification or DSP.

Living Calibration: Third generation of our proprietary IRC and DSP architecture now allows us to control individual driver level behavior, with discrete, perfectly phase summed corrections for each transducer independently. This means even more perfect phase tracking, with zero interpolation necessary from sine sweep measurements – because each driver is measured individually, phase tracking is perfect, not just measurement perfect.

Each Selene system is individually measured and calibrated. The two-driver system is linearized to achieve ±1.5dB frequency response and ±15° phase deviation (30Hz-30kHz). The ESP32 co-processor provides periodic remote updates to DSP corrections as our measurement capabilities, data set, and algorithms improve. Your speakers continue to improve as we improve.

WiFi Control Features:

  • Over-the-air firmware and calibration updates
  • Multi-system sync (for ATMOS configurations)
  • Channel mute, sub mute, channel solo
  • Scene/configuration presets
  • Delay compensation
  • Equalization
  • Input sensitivity control
  • Boundary control
  • Low latency mode

SPECIFICATION OVERVIEW:

PERFORMANCE

Frequency Response: ±1.5dB 80Hz – 30kHz (includes integral 80Hz HPF for surround integration)

Phase Response: ±15° 30Hz – 30kHz (linear passband)

Low Frequency Extension: F6 at 80Hz

Maximum SPL @ 1m: 106dB @ 1kHz

THD+N (90dB @ 1m): <0.5% Power Average 100Hz – 30kHz

Coverage Pattern: 90° x 90° conical

DRIVER COMPLEMENT

16cm (6.3″) coaxial midrange/tweeter (16cm variant of 3rd generation Ex Machina architecture, custom TPCD diaphragms)

CROSSOVERS

3kHz Mid/HF – Passive LR2 (phase inverted tweeter for perfect phase tracking)

80Hz integral HPF – Zero-phase LR4 digital (for surround integration)

AMPLIFICATION (EXCORE)

Coaxials: Hypex NCx-102EXT (2 channels)

Available expansion: 2 additional channels (for Poseidon integration)

DSP & CONVERSION (EXCORE)

DSP: Analog Devices ADSP-21569 SHARC+

Co-processor: ESP32 (WiFi control, OTA updates, multi-system sync)

DAC: AKM AK4493SEQ

ADC: AKM AK5572EN

CONNECTIVITY (EXCORE)

Analog: XLR balanced input

Digital: AES/EBU

Network: Dante Pro S1 (optional)

Control: WiFi (internal antenna)

INPUT (EXCORE)

Sensitivity: 2Vrms to full scale

Power: Auto-switching 120/240V

PHYSICAL

Selene monitors: 165mm H x 160mm D x 165mm W (6.5″ cube), 6.4kg (14 lbs) each

Mounting: Integral hard points, 100×100 or 75×75 MIS-D VESA (M4 fasteners)

EXCore: 82mm H x 305mm D x 200mm W (2RU half-rack), 5.4kg (12 lbs)

WARRANTY

6 years

TESTIMONIALS

It’s the confidence I get from finally being able to trust my own taste that makes these speakers great. Music is a way composers, engineers, and most importantly listeners communicate and it’s done in such a personal way, the most valuable thing you can do for yourself and your audience is to communicate with conviction. Quasars give me that power.
Richie Beretta in his studio with Ex Machina Soundworks reference monitors

Richie Beretta

Artist, Producer, Engineer
Didn’t realize what I have been missing! After multiple mixes, Pulsars boosted my confidence, I was cranking them out so much faster. It was making mixing so much fun. I submitted some mixes I re-did with Pulsars, and clients were blown away by the differences. I will forever be a proud owner of these.

Joshua Young

Studio Owner, Engineer
If you’re struggling with translation, this will end that battle. The sound staging is insanely hyper accurate. What you hear on these monitors, you will hear on literally any system.

Ryan Harvey

Engineer, Producer
I can hear exactly what I need to do to improve my sound… Quasars are a major tool that help me accomplish this. They are the best thing I’ve bought for my studio in a decade.

Justin Melland

Film Composer
Quasars have become my most valued and crucial piece of equipment. They give me total confidence in knowing how tracking and mixing sessions will translate outside of the room… They provide clarity, transparency, and inspiration.

James Meslin

Recording Engineer, Mixer, Producer
The mid tweet coaxial on these monitors presents a midrange detail like I’ve never heard before. These speakers are far from fatiguing while presenting a pristine midrange and transient response. I’m truly over the moon.

ALEX E

Music Producer, Mixing Engineer
Over the years, I have worked with a number of very good speakers in many studios but the Ex Machina Pulsar takes monitoring to another level. These are truthful tools that you can definitely rely on.

Patrick Derivaz

Bass Player, Composer, Engineer, Producer
Everything translated well and felt balanced, the low end was amazing, I don’t need a sub anymore ! I find that I can work at low volume and hear every detail and also listen loud without fatiguing… The stereo image and center are really defined, I honestly can’t find anything that I don’t like.

Manon Grandjean

Recording, Mixing, Mastering Engineer
The Pulsars have been truly game changing for me. They are super accurate, revealing, and the transient detail is incredible which has made the mixing process much more efficient and allowed for more confident decision making. I couldn’t be more happy with them.

Ryan Leitru

Producer, Songwriter, Mixer