Terra

Professional accuracy, actually accessible.

Three-way coaxial design delivering ±1.5dB frequency response from 40Hz to 30kHz (F6 at 30Hz) with ±15° phase coherence. Built like aerospace components, measured like reference instruments. Max SPL 108dB @ 1kHz, 100dB @ 50Hz.

Trust what you hear

Pinpoint imaging and a perfect stereo field. Achieved through ±15° phase deviation (30Hz-30kHz) and zero-phase crossovers that keep all drivers perfectly time-aligned.

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Hear the full picture

Accurate frequency response from deep bass to extended highs. ±1.5dB linearity from 40Hz to 30kHz means nothing gets exaggerated, nothing gets lost.

Mix with confidence

What you hear is what your audience hears. When your monitoring is accurate, your mixes translate everywhere – headphones, cars, club systems, streaming.

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Work from anywhere

Massive sweet spot that doesn’t fall apart off-axis. 90° x 90° coverage maintains accuracy whether you’re centered or moving around the room.

DSP

Proprietary, in house calibration code completely flattens frequency, phase and impulse response.

Performance Measurements

Frequency Response (30cm cal position)

Impulse Response

Phase Response

THD Ratio (94db at cal position)

Polar

Technical Foundation

Terra is engineered like a precision instrument, not furniture. Every component is designed to be acoustically invisible – the cabinet doesn’t resonate, the drivers don’t color, the electronics don’t add noise. What you hear is your mix, nothing else.

This generation introduces living calibration – individual driver level corrections that improve over time as our measurement capabilities and algorithms advance. Your Terra gets better as we get better.

Cabinet Engineering

Traditional monitor cabinets attempt to balance mass, stiffness, and damping – but MDF and plywood don’t excel at any of the three. Terra takes a different approach with a composite assembly: high-loss materials where damping matters, ultra-rigid structures where stiffness matters. No compromises.

Each cabinet starts as a single aluminum extrusion with 16mm solid outer walls and 9mm integral internal cross-braces – all part of the same extrusion. It takes a 9-kiloton press to form, but the result is a monocoque shell so massive and stiff that even at full output, driver back-pressure can’t induce ringing. Think of it like the difference between a wooden crate and an engine block – one flexes and vibrates, the other just doesn’t.

The side panels are Durasein – a solid surface material chosen specifically for its ATH fill percentage, which provides the ideal acoustic impedance mismatch to the aluminum shell. This prevents panel recoupling. We use A4-70 austenitic marine stainless steel fasteners with TiAlN (titanium aluminum nitride) PVD in rose gold finish, mounted on 60A silicone gaskets and torqued to spec, to maintain that impedance mismatch throughout the assembly.

The cabinet’s outer shape follows golden ratio proportions for excellent baffle step behavior, while the internal acoustic enclosures are deliberately cuboid – allowing us to target specific modal frequencies with precision metamaterial absorbers.

It’s the same philosophy as the TPCD coaxial drivers: you don’t choose between damping OR stiffness, you engineer both where each matters most.

Acoustic Control

Even a perfectly rigid cabinet has internal reflections to manage. Terra’s approach depends on the specific acoustic challenge.

Inside each coaxial chamber sits a precision-tuned microperf metamaterial absorber. It’s a rigid plate over a gradient impedance involuted gyroid bed, specifically targeting the cabinet’s axial mode frequencies. Without treatment, those modes peak at around 12dB. With the metamaterial absorbers installed, they’re unmeasurable. Think of it like noise-canceling headphones for the cabinet’s interior – instead of absorbing everything broadly, we’re targeting and eliminating specific problem frequencies with surgical precision.

We intentionally designed Terra’s enclosures as near-perfect cuboids – normally a mistake because all the modes pile up at the same frequencies. But that concentration lets us target them precisely with the metamaterial absorbers, turning a potential weakness into an advantage.

The woofer chambers use traditional fiber fill. The enclosures are small enough that primary modes sit well above the driver’s operating range, so simple damping material handles the tangential and oblique modes effectively.

Driver Technology

Terra uses two driver types, each optimized for its specific role.

The 18cm coaxial midrange/tweeter is the third generation of our signature design. Custom TPCD diaphragms with improved fiber layup, FEA-optimized hybrid motor structure bringing THD down to 0.2% power average at 90dB, and automated fiber placement pushing tweeter breakup above 40kHz. DSP limits high-frequency extension to 30kHz for optimal performance. The thin-lip underhung surround eliminates the phase cancellation that plagues most coaxial designs. The waveguide geometry loads the tweeter properly while maintaining the point-source acoustic center that gives Terra its imaging precision.

The low-frequency driver is an 18cm PuriFi PTT6.5W96-08 with custom modifications. We spec’d concave aluminum diaphragms instead of the standard convex dust caps – we don’t need the dispersion behavior in this application, so we prioritized bending stiffness for the low frequencies where this driver operates. PuriFi’s hybrid motor structure combines ceramic bulk flux with neodymium bucking sleeves to focus flux in the gap. Their unique surround geometry allows near-perfect symmetry on both sides of the stroke – think of it like a suspension that works equally well moving forward and backward. Uneven stiffness creates harmonic distortion and compression artifacts. This symmetrical design delivers extremely fast settling time and exceptional linear excursion without those distortions.

Both drivers are measured individually and linearized at the driver level before crossover application. This ensures the acoustic output matches the DSP’s expectations precisely.

Electronics & DSP

The signal path from input to acoustic output needs to be transparent. Any noise or distortion the electronics add becomes part of what you’re monitoring, which defeats the entire purpose.

Terra uses third-generation Peregrine DSP architecture with an Analog Devices ADSP-21569 SHARC+ processor and ESP32 co-processor for WiFi control. Conversion is handled by AKM’s flagship AK4493SEQ DAC and AK5572EN ADC – chosen for measured performance, not marketing specs.

Amplification is Hypex NcoreX – NCx252MP modules for the woofer and midrange, NCx-102EXT for the tweeter. These aren’t just clean and efficient; the measured sum of all harmonic distortion from the entire electronics chain sits well below the acoustic distortion of the drivers themselves. The electronics are effectively invisible – only the physical limitations of moving air set the distortion floor.

Living Calibration: Third generation of our proprietary IRC and DSP architecture now allows us to control individual driver level behavior, with discrete, perfectly phase summed corrections for each transducer independently. This means even more perfect phase tracking at crossovers, with zero interpolation necessary from sine sweep measurements – because crossovers are zero-phase and each driver is measured individually, phase tracking is perfect, not just measurement perfect.

Each Terra is individually measured and calibrated before it ships. We linearize each driver separately, then apply zero-phase crossovers at 200Hz and 2kHz. The calibration achieves ±1.5dB frequency response and ±15° phase deviation across the entire operating range (30Hz-30kHz). Because every unit is individually calibrated to the same target, any two Terras act as a matched pair.

The ESP32 co-processor provides periodic remote updates to DSP corrections as our measurement capabilities, data set, and algorithms improve. Your speakers continue to improve as we improve.

EXPANSION OPTIONS

When you need more

Larger rooms, deeper extension, film and game audio work – Gravity subwoofers are designed for when your monitoring demands go further.

Gravity extends Terra’s low-frequency response to 30Hz linear (F6 at 20Hz) via zero-phase LR4 crossover at 80Hz, and increases system SPL to 112dB @ 1kHz (106dB @ 50Hz). Powered directly from Terra’s rear panel for seamless integration. User-adjustable delay compensation and subwoofer gain trim allow placement flexibility. Can operate as integrated extension or accept discrete LFE input depending on application needs.

WiFi Control Features:

  • Over-the-air firmware and calibration updates
  • Multi-system sync (for ATMOS configurations)
  • Channel mute, sub mute, channel solo
  • Scene/configuration presets
  • Delay compensation
  • Equalization
  • Input sensitivity control
  • Boundary control
  • Low latency mode

SPECIFICATION OVERVIEW:

Frequency Response: ±1.5dB 40Hz – 30kHz (F6 at 30Hz)

Phase Response: ±15° 30Hz – 30kHz (linear passband)

Maximum SPL @ 1m: 108dB @ 1kHz

Maximum LF SPL @ 1m: 100dB @ 50Hz

THD+N (90dB @ 1m): <0.2% Power Average 100Hz – 30kHz

Coverage Pattern: 90° x 90° conical

DRIVER COMPLEMENT

18cm (7″) coaxial midrange/tweeter (Custom Ex Machina TPCD diaphragms, 3rd generation)

18cm (7″) PuriFi PTT6.5W96-08 woofer (Custom concave aluminum diaphragm)

CROSSOVERS

200Hz LF/Mid – Zero-phase LR4 digital

2kHz Mid/HF – Zero-phase LR4 digital

AMPLIFICATION

LF: Hypex NCx252MP

Midrange: Hypex NCx-102EXT

Tweeter: Hypex NCx-102EXT

DSP & CONVERSION
DSP: Analog Devices ADSP-21569 SHARC+
Co-processor: ESP32 (WiFi control, OTA updates, multi-system sync)
DAC: AKM AK4493SEQ
ADC: AKM AK5572EN
CONNECTIVITY
Analog: XLR balanced input
Digital: AES/EBU
Network: Dante Pro S1 (optional)
Control: WiFi (internal antenna)
INPUT
Sensitivity: 2Vrms to full scale
Power: Auto-switching 120/240V
PHYSICAL
Dimensions: 406mm H x 280mm D x 203mm W (16″ x 11″ x 8″)
Weight: 21.8kg (48 lbs) per monitor
Mounting: Integral hard points for installation
WARRANTY
6 years

TESTIMONIALS

It’s the confidence I get from finally being able to trust my own taste that makes these speakers great. Music is a way composers, engineers, and most importantly listeners communicate and it’s done in such a personal way, the most valuable thing you can do for yourself and your audience is to communicate with conviction. Quasars give me that power.
Richie Beretta in his studio with Ex Machina Soundworks reference monitors

Richie Beretta

Artist, Producer, Engineer
Didn’t realize what I have been missing! After multiple mixes, Pulsars boosted my confidence, I was cranking them out so much faster. It was making mixing so much fun. I submitted some mixes I re-did with Pulsars, and clients were blown away by the differences. I will forever be a proud owner of these.

Joshua Young

Studio Owner, Engineer
If you’re struggling with translation, this will end that battle. The sound staging is insanely hyper accurate. What you hear on these monitors, you will hear on literally any system.

Ryan Harvey

Engineer, Producer
I can hear exactly what I need to do to improve my sound… Quasars are a major tool that help me accomplish this. They are the best thing I’ve bought for my studio in a decade.

Justin Melland

Film Composer
Quasars have become my most valued and crucial piece of equipment. They give me total confidence in knowing how tracking and mixing sessions will translate outside of the room… They provide clarity, transparency, and inspiration.

James Meslin

Recording Engineer, Mixer, Producer
The mid tweet coaxial on these monitors presents a midrange detail like I’ve never heard before. These speakers are far from fatiguing while presenting a pristine midrange and transient response. I’m truly over the moon.

ALEX E

Music Producer, Mixing Engineer
Over the years, I have worked with a number of very good speakers in many studios but the Ex Machina Pulsar takes monitoring to another level. These are truthful tools that you can definitely rely on.

Patrick Derivaz

Bass Player, Composer, Engineer, Producer
Everything translated well and felt balanced, the low end was amazing, I don’t need a sub anymore ! I find that I can work at low volume and hear every detail and also listen loud without fatiguing… The stereo image and center are really defined, I honestly can’t find anything that I don’t like.

Manon Grandjean

Recording, Mixing, Mastering Engineer
The Pulsars have been truly game changing for me. They are super accurate, revealing, and the transient detail is incredible which has made the mixing process much more efficient and allowed for more confident decision making. I couldn’t be more happy with them.

Ryan Leitru

Producer, Songwriter, Mixer